The archetype of "the World" is one of the oldest images existed in the poetry of some poets since the beginning of Persian poetry and it has been reflected until the end of the eighth century AH. The image that NASER KHOSROw has depicted in his relationship with the world contained unappealing traits such as incompatibility, enmity, hatred, and so on. NASER KHOSRO is amongst the poets having a didactic viewpoint with the aim of warning man's attachment to the universe, its pests and dangers. He has frequently used this archetype in his poetry and focused on "commanding to the virtues" and "Prohibition the vices. " He has also indicated the negative traits of the world and in shaping the structure of one's imagination and educational thinking system. This article aims at applying Gilbert Doran’, s theoretical views (the famous French theorist and anthropologist) of the imaginative structure in NASER KHOSRO's Divan. The research intends to indicate that there is a direct and close relationship among issues such as the concept of time, death, and the poet’, s reaction to controlling time. The creation of didactic images by the poet is basically a struggle to control time and get rid of death and its resulting fear. The frequency of such images in NASER KHOSRO’, s Divan approve that fear of time passage has penetrated the poet's mind, led him to create images which have often been in the form of advice,the point that has been overlooked in the theory of the age. This article intends to explain and analyze the female gender in the formation of archetype of "the world" the universe.